R O K O V O K O
"Queequeg was a native of Rokovoko, an island far away to the West and South. It is not down on any map; true places never are." -Moby Dick
3/13/12
3/12/12
3/9/12
Orchid Man
When he dozed off, she chanted her chant, transformed him, and placed him smugly on her coffee table with all the others.
3/5/12
2/27/12
2/15/12
Les Ruinettes
Contaminated by heaven,
he ascended, parched,
damned if he did,
damned if she didn’t.
Now, Chapstick imprints her lips
on the petal-dented Duralex glass
from which she sips her fendant.
Her sink-washed cutoff shorts
hang drying on the line on the balcony
after their afternoon’s climb to Les Ruinettes.
He followed her up the mountain
like a happy pack mule,
gazing at her firm hams
and the lovely brown calves
planted in hiking boots
and wool socks.
Her sweat entranced him.
The uncertain gravity became her.
The thin air clutched
the hollowed half bowl of greens and browns,
topped by close but distant
crumb boulders of recent avalanche.
“Over there,” he pointed. “That’s Mont Blanc.”
July wild flowers spread
like a skirt below them
to where the cow bells
rang their gentle jests.
“They’re turning that pasture into a golf course.”
“It’s a shame. It’s so beautiful and unkempt now,” she said.
“They need the money. They need it to be
more than a winter resort.
They’re starting a music festival too.”
He sunblocked her shoulders.
He gave her a bandanna to cover
the elegant little part line of her scalp.
“Be careful. You’ll fry in half an hour. It’s powerful.”
Now, after lamb chops and salad,
baguette slices with
shaved Emmental,
then some raspberry cream tarte and tea,
she lays splayed in her jammies across the sofa,
reading a day-old Herald-Tribune.
“The world seems far away,” she says.
“Either it’s not real, or this isn’t.
I don’t want to find out which.”
She smiles sleepily. She burps.
“Excuse me,” she says.
The little boom box plays Wayne Shorter’s Adam’s Apple,
the sax raw and earnest.
“What time does he get in tomorrow?”
“Two-ish. I’m meeting his train in Martigny.
I can’t wait to see him again,” she says.
“It’s only been two months,
but it feels like two lifetimes.”
She rises, stretches, yawns.
“I’m bushed,” she says,
delivering an efficient goodnight kiss on the cheek,
all the less flirtatious for its directness.
“You’re so nice to have us.
I can see why your grandmother loved this place.”
“I’m glad I finally got to show it to you.” he says.
He hears down the narrow hallway
the toilet, her toothbrush.
He hears the irritable whine of her closing bedroom door.
Through his window
a furtive chill.
He pulls the duvet over his fevered neck,
closes his eyes,
and welcomes the sweet, swaddling torment.
he ascended, parched,
damned if he did,
damned if she didn’t.
Now, Chapstick imprints her lips
on the petal-dented Duralex glass
from which she sips her fendant.
Her sink-washed cutoff shorts
hang drying on the line on the balcony
after their afternoon’s climb to Les Ruinettes.
He followed her up the mountain
like a happy pack mule,
gazing at her firm hams
and the lovely brown calves
planted in hiking boots
and wool socks.
Her sweat entranced him.
The uncertain gravity became her.
The thin air clutched
the hollowed half bowl of greens and browns,
topped by close but distant
crumb boulders of recent avalanche.
“Over there,” he pointed. “That’s Mont Blanc.”
July wild flowers spread
like a skirt below them
to where the cow bells
rang their gentle jests.
“They’re turning that pasture into a golf course.”
“It’s a shame. It’s so beautiful and unkempt now,” she said.
“They need the money. They need it to be
more than a winter resort.
They’re starting a music festival too.”
He sunblocked her shoulders.
He gave her a bandanna to cover
the elegant little part line of her scalp.
“Be careful. You’ll fry in half an hour. It’s powerful.”
Now, after lamb chops and salad,
baguette slices with
shaved Emmental,
then some raspberry cream tarte and tea,
she lays splayed in her jammies across the sofa,
reading a day-old Herald-Tribune.
“The world seems far away,” she says.
“Either it’s not real, or this isn’t.
I don’t want to find out which.”
She smiles sleepily. She burps.
“Excuse me,” she says.
The little boom box plays Wayne Shorter’s Adam’s Apple,
the sax raw and earnest.
“What time does he get in tomorrow?”
“Two-ish. I’m meeting his train in Martigny.
I can’t wait to see him again,” she says.
“It’s only been two months,
but it feels like two lifetimes.”
She rises, stretches, yawns.
“I’m bushed,” she says,
delivering an efficient goodnight kiss on the cheek,
all the less flirtatious for its directness.
“You’re so nice to have us.
I can see why your grandmother loved this place.”
“I’m glad I finally got to show it to you.” he says.
He hears down the narrow hallway
the toilet, her toothbrush.
He hears the irritable whine of her closing bedroom door.
Through his window
a furtive chill.
He pulls the duvet over his fevered neck,
closes his eyes,
and welcomes the sweet, swaddling torment.
2/14/12
2/3/12
Chrome Dreams
cool
to the
touch with fire
in her taut
tanked belly
roar
to the shore
horizon breathed
from a diesel flat
bed ahead
on split
plains of dusty
lusty bereavement
for days gone
by lovers scraped
off hard
headed denials
of what he
felt she felt
he couldn't
give her
reproach kick
starts his
winded tears the
blast through
helmet
shield not
enough
the noise
too not
enough to drown
out her hurt
sobs her tough
angry
mouth as she
spat and
turned
away but
here riding
blue with
him forever
temptress
fortress
at 93
mph gravel
eroded
regret coming
fast
to the
touch with fire
in her taut
tanked belly
roar
to the shore
horizon breathed
from a diesel flat
bed ahead
on split
plains of dusty
lusty bereavement
for days gone
by lovers scraped
off hard
headed denials
of what he
felt she felt
he couldn't
give her
reproach kick
starts his
winded tears the
blast through
helmet
shield not
enough
the noise
too not
enough to drown
out her hurt
sobs her tough
angry
mouth as she
spat and
turned
away but
here riding
blue with
him forever
temptress
fortress
at 93
mph gravel
eroded
regret coming
fast
2/1/12
1/11/12
Three Women
Photographer: Alexander C. Kafka
Models: Cherise, Megan, Kamilah
Wardrobe: Stella Bonds, Kamilah
Makeup: Kamilah
Production: Maria Esquivel, Photo Hispana
Location: Intown Uptown Hotel, Washington, D.C.
Copyright (c) 2012 -- all rights reserved
1/6/12
1/4/12
1/3/12
1/2/12
12/30/11
12/23/11
12/20/11
12/17/11
12/16/11
Tree Man
life like
electronic advisories
does not accommodate
replies
nature by nature is
unnatural turning nothings
into somethings then
back again as
if to see simply
whether it can
you are one with
the wild not
because you're wild but
because the wild toys
with you makes
you this and not
that arbitrarily
beautiful artfully
ugly
gone today here
tomorrow my
sorrow your joy
and then
switch and
then
peel me sprout
blossom whither
given giver
rooted seared
and split by
lightning I was
here I
will
be again
electronic advisories
does not accommodate
replies
nature by nature is
unnatural turning nothings
into somethings then
back again as
if to see simply
whether it can
you are one with
the wild not
because you're wild but
because the wild toys
with you makes
you this and not
that arbitrarily
beautiful artfully
ugly
gone today here
tomorrow my
sorrow your joy
and then
switch and
then
peel me sprout
blossom whither
given giver
rooted seared
and split by
lightning I was
here I
will
be again
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